This software is designed to allow professionals to push their content way down the line. As far as their work does have a ripple effect on down the line. The DP should also know how to set things up for the colorist also. Editors need to know what their choices mean to a colorist or f/x person. ![]() what the choices they make do to the next person down the line, the editor. DP's need to know their part of the craft, but further. ![]() You eliminate all variables that cause problems later. When you need to, you add controlled and crafted lighting setups to the scene. set your camera to all manual settings and properly CONTROL the shoot. ![]() no DP will get a second job if they shoot that kind of camera setup for a first one. It's very easy to avoid the situation the OP was in, and very hard in post to recover from it.
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